3D Work
Models and rendering created in Fusion 360. Custom materials based on Fusion 360 material library assets.
This video was created to explain the design principle of affordances. This was a deliverable component to a visual communications assignment at Carnegie Mellon University School of Design, Fall 2019.
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
Digital print
2 x 4 inches
Created for Pedalpalooza 2019, an annual bicyclist's event in Portland, Oregon. Printed and laminated, these images were provided as cards for cyclists’ spokes as part of a scavenger hunt, hosted by The Venderia — special thanks to Taylor Valdez for coordinating this wonderful, quirky city-wide event!
Why create these images? Because I want to be able to remember the future. Not the future that is (or will be), but the future given to children of the 1980s and 1990s. A retro futurism that existed for just one bright neon moment, culturally rendered through the Trapper Keepers, video arcades, television commercials, and LASER backdrops on yearbook photos. The Cold War was dissolved and displaced by Slap Bracelets and Hypercolor optimism. Also: they look good in spokes!
2018
Model and rendering created with Autodesk Fusion 360. These bears are roughly 0.75 inch in height, simulated 95% sucrose water solution.
1920 × 566 pixels
2018
An exploration of GrabCAD assets and assembly manipulation. I like the idea of a fully automated factory building something immediately obsolete.
1920 x 1080 pixels
2018
Replica of Apple Mac Mini released in 2018. I/O ports customized from GrabCAD assets.
Special Thanks to: Петар Трлајић (USB Type C Port), Haka (USB Type A Port), Connor McGuirk (RJ-45 Port), Kevin Yu (HDMI Port), Glen van Alkemade (Headphone Jack)
Model and rendering created with Autodesk Fusion 360. These bears are roughly 0.75 inch in height, simulated 95% sucrose water solution.
1920 x 426 pixels